Novel approaches to Digital Codicology
Despite the advancements in digitization, the study of books as objects, for the most part, still relies on autoptic investigations because traditional digitization transmediates only limited information regarding an object’s materiality. Autoptic observations are not always possible, and this has become even more evident and relevant with the pandemic crisis of Covid-19. While significant progress has been made in accessing written heritage through digitization efforts (IIIF, TEI), the digitization of the material features of books is still lagging and at the experimental phase. The availability of great numbers of textual data has permitted the development of distant reading techniques to discover patterns in texts and the utilization of artificial intelligence to read manuscripts (HTR) and printed books (OCR) en mass. The availability of digital data on the materiality of books would extend these practices to the book as an object. Recently, some projects have brought forward novel approaches to the digitization of material features of books but we lack a comprehensive methodology capable of bringing it together in a coherent research field: digital codicology. In the first two and a half days of the event, eminent scholars at the forefront of material digitization efforts will present their research. The last half-day will be dedicated to a round table and a working group to discuss and set the groundwork for a white paper on what digital codicology is and still needs to become the overarching field we foresee.
- Dr Alberto Campagnolo, LE STUDIUM Research Fellow
FROM University of Udine - IT
IN RESIDENCE AT Centre for Advanced Studies in the Renaissance (CESR) / CNRS, University of Tours - FR
- Prof. Elena Pierazzo,
Centre for Advanced Studies in the Renaissance (CESR) / CNRS, University of Tours - FR
digital methodologies, digitization, written cultural heritage, modelling, heritage science, Artificial Intelligence, manuscripts, bibliography, musicology
The conference venue is unique. Located right next to the basilica of St Martin in the old city centre of Tours, the Centre d'Études Supérieures de la Renaissance (Centre for Advanced Studies in the Renaissance) is a teaching and research institution which welcomes students and researchers seeking initial or supplementary instruction in all aspects of the Renaissance. The Centre was initially constituted in 1956 on the basis of a library and a documentary archive, supplemented by a collection of photographs and databases. It is now a venue for multi-disciplinary instruction, which, in association with the various Faculties of the University, has responsibility for teaching and research in History, History of Art, Literature, Languages, Musicology, and Philosophy. It currently leads a large research programme dedicated to the cultural regional heritage (Intelligence des Patrimoines). As a research centre it brings together fifty or so researchers committed to the investigation of the "civilization of the Renaissance" from Petrarch to Descartes. Participants will be welcomed in this exceptional surrounding blending Middle Age and Renaissance cultures and will have the opportunity to discover French cuisine and wines.